It's a great example of the thoughtful production design that elevates Scary Stories and makes it feel so immersive. The latter is a horror hound who has aspirations of being a writer, and we soon join her at home only to find that her bedroom wall is plastered with movie posters and mementos from classic genre fare. It's against this tumultuous landscape that we meet our main cast.Ĩ Images A young drifter, Ramon Rodriguez (Michael Garza), drives through main street as the heroine, Stella Nichols (Zoe Margaret Colletti), cycles past. Nixon posters defaced with swastikas cover the walls of the recruitment centers where groups of excited young boys sign up for the service. Small town America in 1968 is a place ravaged by the Vietnam War and the divisions it's creating. Beginning with a scene-setting montage soundtracked by “Season of the Witch”, Scary Stories to Tell in the Dark pulls no punches when it comes to the political backdrop of the times. Del Toro is credited only as producer here but his love for practical effects and movie monsters shines through in almost every scene, and the work done by the core creative effects team of Mike Elizalde (Hellboy), Mike Hill (The Shape of Water), and Norman Cabrera (Hellboy) provide some of the most exciting ones to hit screens in an age. Luckily, that central story is compelling and well crafted enough that it offers up something new and interesting whilst clearly echoing the classic Amblin family movies that shaped the filmmakers who made it. Adapting anthology retellings of classic folklore tales and urban legends was always going to be a hard task and many fans were wary when the first Scary Stories trailer revealed that the film would follow a singular narrative.
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